I was speaking with friend and fellow photographer, Matt Bennett, the other day as I popped into his studio. In our conversations we bemoaned the fact that often the thing photographers do the least is actually take photographs. Much of the time is marketing, logistics, travelling, photoshopping etc. Sometimes, a week or two can pass and you haven't even taken a photograph. Matt himself has a distinct style that is being well received, but I encouraged him to get out and shoot for himself to keep the passion alive.
Yesterday I was in town with another friend and fellow photographer, Greg Beyer. We attended a PhotoShop CS3 seminar together. While taking a walk around the streets at lunch time I made sure to carry the Leica C-Lux 2 I have been reviewing and take some photographs. Even if the images themselves are not mind blowing, they serve the purpose of keeping you alert, seeeing, photographing. I recommend a quality compact camera for every photographer - professional and amateur alike. They are there when you need them, and they are great for keeping the vision alive.


Images: Shelton Muller, taken with Leica C-Lux 2
Photographers are people with vision. It is our gift and it makes us who we are. Photography is more than just prowess with a camera. Photography requires a unique perspective, the ability to see more than that which is always obvious.
I took this image (above) at a recent wedding and made the mistake of showing the image on the camera's screen to the bridal party. They all laughed. They thought I had made a mistake, cutting the bride's head off. I laughed along, knowing all along that I had something else in mind as a final image.
I am pleased with it.
Previsualisation is an important aspect to successful photography. The ability to see the image in your head and then bring it to fruition is really at the heart of successful image making. For photographers, that is the lifelong learning process.
There is nothing like being able to please a client by providing images they are unable to see themselves. That is, I suppose, what makes their photographer valuable to them. I have often said that it is the job of the photographer to transform ordinary things into interesting images. Taking pictures of someone being interviewed might appear boring, it is, as I have said, my job to make them interesting.
More often than not, that is what we do.
The other night I went to the movies with my son and a few friends. We decided to grab a coffee afterwards. Now, I am rarely without a camera, and this particular evening I was carrying my trusty Ricoh GR Digital. Of all things, the escalators caught my eye and I thought I would grab a quick photograph of the geometry that presented itself.
Within moments, the security people arrived. A very friendly security guard told me I was not allowed to take photographs within the complex. I wonder if the same would be the case if I had been taking a snapshot of my friends. As it was I was pointing my lens downward at the escalators.
To me the whole thing is getting ridiculous. Where, when and with what you are able to take photographs these days is getting out of hand. I know the world is more frightened since pedophilia on the internet and 9/11, but perhaps by restricting our creative freedoms to this degree we should ask ourselves if maybe the pedophiles and the terrorists are winning. Me? I view no man as my enemy. I just want to take photographs.
The Life, Times and Images of photographer, Shelton Muller
Images on this blog are copyright Shelton Muller