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Glynn, Natasha and I spent much of yesterday with a young photographer named Justin. Justin has great vision and a passion for all kinds of photography and after attending our Creative Wedding Photography workshop he asked for a One on One workshop so that he could hone his skills and have personal questions and issues more directly attended to. It was more like a Three on One as Glynn and Natasha naturally assumed roles as instructors as well as 'bride and groom'. It is a great mix. Apart from her obvious physical attractiveness, Natasha is a keen and gifted photographer and knows how to see and pose for light. Her confidence and humour make the process easier for photographers also. Glynn's experience in the photography industry, his natural ability and vision as a photographer and his marketing prowess make him invaluable also. So, what the heck was I needed for? Don't tell Glynn and Natasha that, ok?
We started the day over coffee at Abbottsford Convent discussing Justin's personal photographic ambitions and issues. We discussed our preferences for images that come straight from the camera without need for exposure or post capture repair. We discussed marketing and equipment priorities. And, then it was time to start shooting.
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One of the techniques I like to teach photographers is the ability to see light, place a model within its nature and context and create above average images in less than ordinary circumstances. Essentially, for many professional photographers in various fields, this is exactly what is called upon them to do. Justin sees his professional future in wedding photography a viable field of endeavour and here is where this understanding of light and creative metering are paramount. While much can be done in post processing, there is often no need to waste the time doing so if your image straight from the camera is impressive in itself. Also, showing a couple images on the back of the camera that are immediately impressive is just good business.
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5 comments:
I really love this ..... "One of the techniques I like to teach photographers is the ability to see light, place a model within its nature and context and create above average images in less than ordinary circumstances"
Thank you Aaron. This is an aspect of modern photography that has been lost to many newcomers who believe that bad or incorrect exposures can or should be fixed in post. I like to teach the notion of creating an image within the camera to the degree possible...
Re the last paragraph - I recall someone who did spend a lot of time doing that when you were younger - and it was free.
Without you teaching me what you did, Bill, I would never have understood the whole thing. That's for sure. But I wish I had attended more workshops over the years.
Thanks.
Yeah, could have used a few workshops too :-)
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